Wednesday, March 15, 2017

Felino A. Soriano writes



Of this Momentum Song (forty-seven)



   Brought what knows us.

  Mirrors, we said     said

    movement irradiates

                       and

  how they follow (as glass does, with precision)

 with tracing, memorizing        

    hands

         we

           bridge

 what Now does with

  an answer to Later’s

 query toward

   asymmetrical

              confusion—



__________ 

nothing forced within

the growth of becoming

   human.  Alone

 I’ve imagined

             halos circulating

  hardened bodies, un-

 touched.  How then

   of a life all-censored—

 does its dust remove

                     from

  eventual antiquation?

 _________



     Light’s eventual

  and past tense styles; one

   with promise, one with

      prophecy     both

                   attached

by how the mouth

 pronounces their

milieus.  Projected

  color is what frees

 from Boredom’s

                flail-

  ing form of torrential

 Supreme reconnaissance.

   We learn this way, this

  way of learning improves

     mood     rotates the eyes

   in degrees gradating.  Furthering

       the how of what we’re

    doing...







__________

         we splay to obtain dis-

   parate feelings, later joined

  in braided philosophy
__________

SPLAYED WOMEN NO.1 BY LYON OLIVER  (B.1947- ) -the-decorator-source-393_main_636247639448413711.jpg Image result for splayed paintings
Splayed Women No. 1 & No. 2 --  Lyon Oliver

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